It's yet another collection of essays. I am not sure why it's received the thoroughly unremarkable title Jafsie and John Henry. Perhaps the phrase has sentimental meaning to Mr. Mamet, something that may come clear to me as I peruse this latest batch of offerings. If I was the publisher, I'd probably insist on naming the book for one of the most intriguing essay titles like The Fireman's Child, Poor But Happy or even The New House.
I know enough about publishing to know that authors rarely get the opportunity to pick their own titles. I'm not sure what happened in this case. I have no idea who Jafsie is.
I am angry at myself because this book was published in 1999. I bought his previous essay collection, Make Believe Town, the day it came out in 1997. I drove 125 km to Ottawa to pick up The Secret Knowledge when it came out in 2012. I'm usually pretty in-the-know when it comes to David Mamet's career. For all I know, I think I was the very first person on the Internet to reveal the name of Mr. Mamet's next play - China Doll - which will star Al Pacino. Yeah, I am a Mamet stalker and I google him at least once a week because I always want to know if he's going to be making a guest appearance in my neck of the woods.
But Jafsie and John Henry? It completely slipped past my radar. I discovered it while doing a Mamet search on ebay.
As I've said plenty of times before, I discovered David Mamet through his plays, particularly the short works contained in Goldberg Street. But as I get older, I find myself enjoying his essays more.
In 2014, my new year's resolution was to write a blog post everyday. I solicited titles from my friends and the results can be found at therotatingpineapple.blogspot.com. Sometimes, Mr. Mamet's style crept into my writing (heck, for the month of November, every title was taken from a Mamet play or essay or book.) I don't think writers should be worried about other writers affecting their style. Their own voice will always emerge.
I look forward to reading the essays in Jafsie and John Henry.
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